The Complete Poems

Front Cover
Penguin, 1978 - Literary Criticism - 558 pages
As a diplomat in Renaissance Europe, and a luminary at the court of Henry VII, Sir Thomas Wyatt wrote in an incestuous world where everyone was uneasily subject to the royal whims and rages. Wyatt had himself survived two imprisonments in the Tower as well as a love affair with Anne Boleyn, and his poetry - that of an extraordinarily sophisticated, passionate and vulnerable man - reflects these experiences, making disguised reference to current political events. Above all, though, Wyatt is known for his love poetry, which often dramatizes incidents and remembered conversations with his beloved, with an ear acutely sensitive to patterns of rhythm and colloquial speech. Conveying the actuality of betrayal or absence, and the intense pressure of his longing for a love that could be trusted, these are some of the most haunting poems in the English language.

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Contents

Acknowledgements
7
Table of Dates
19
A Note on Wyatts Language
33
Copyright

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About the author (1978)

Wyatt served King Henry VIII as a diplomat and as ambassador to Spain. He was imprisoned twice (once for brawling, in 1534, and once on suspicion of treason, in 1536) and was the reputed lover of Henry VIII's second wife, Anne Boleyn. His poetry reflects the influence of French and Italian literature (notably the Italian sonneteer Petrarch) (see Vol. 2), and also the troubled course of his career as a courtier. Wyatt introduced the Italian sonnet into English verse, for the most part translating and paraphrasing Petrarchan originals, and employing rhyme schemes derived from other Italian poets. The sonnet, of course, was to become one of the chief English poetic forms; in Wyatt's handling, it displays a peculiarly biting edge. As C. S. Lewis writes, "Poor Wyatt seems to be always in love with women he dislikes." Wyatt's poetry also includes epigrams, satires, and devotional works, as well as many lyrics that look to Chaucerian precedent in form and outlook. He and Henry Howard, earl of Surrey, who established the "English" sonnet form (three quatrains and a couplet, rhyming abab, cdcd, efef, gg abab, cdcd, efef, gg), have justly been called the first reformers of English meter and style. The work of both was first published in Tottel's Miscellany (1557).

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