The Dynamics of Literary Response |
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Page 145
... whole seems a stretched - out version of all . The second line not only completes the rhyme but repeats green , indeed whole syntactic patterns , " To a green [ noun ] in a green [ noun ] , " so that the line becomes two tight , closely ...
... whole seems a stretched - out version of all . The second line not only completes the rhyme but repeats green , indeed whole syntactic patterns , " To a green [ noun ] in a green [ noun ] , " so that the line becomes two tight , closely ...
Page 236
... whole , Con- rad enlists us in his defensive action of " bringing to light a distinct , significant fact , " but does he make us feel the need for the de- fense ? In most of Conrad's works in which the characters sink into the moral ...
... whole , Con- rad enlists us in his defensive action of " bringing to light a distinct , significant fact , " but does he make us feel the need for the de- fense ? In most of Conrad's works in which the characters sink into the moral ...
Page 278
... whole character , clothes , features , manners , physique , and the rest ( as when we see adolescents live for a time as though they were Hamlet or Raskolnikov or Henry Aldrich ) . Our " identification " with literary characters , then ...
... whole character , clothes , features , manners , physique , and the rest ( as when we see adolescents live for a time as though they were Hamlet or Raskolnikov or Henry Aldrich ) . Our " identification " with literary characters , then ...
Contents
Literature as Transformation | 3 |
A Dictionary of Fantasy | 31 |
The Willing Suspension of Disbelief | 63 |
Copyright | |
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adult aesthetic affect aggressive anal anxiety Arnold associated audience become cathexis character child clash by night Conrad conscious deal defense disbelief displacement Dover Beach dream drive emotional example experience fantasy content fear feel Fellini fiction film formal Freud fusion give gratification haiku images intellectual introjection joke kind La Dolce Vita lady language literature loathly lady look maistrie manage Matthew Arnold meaning Mercutio mind moral mother myth mythic night Northrop Frye novel object oedipal oral Otto Fenichel passive pattern phallic phallus phrase play pleasure poem poet poetry primitive psychoanalytic psychological puzzling movies reader reading reality regression resonance response rhyme role seems Senryu sense sexual Sigmund Freud sound stanza story style suggests superego suspension of disbelief symbols Tale tasy theme things tion transformation uncon verbal Verloc Wife wish woman words writer York