The Dynamics of Literary Response |
From inside the book
Results 1-3 of 19
Page 124
... stanza three splits intellectual from unconscious significance more drastically than stanzas one and two ... stanza four begins with something new again — that the poet is in love with his companion ( who did not hear the sex- ual ...
... stanza three splits intellectual from unconscious significance more drastically than stanzas one and two ... stanza four begins with something new again — that the poet is in love with his companion ( who did not hear the sex- ual ...
Page 199
... stanzas . Morning and night in the first stanza lead to the twelve hours of loving in the second . The face at the end of the second becomes the " brown hair " at the beginning of the third . The " ground " at the end of the third ...
... stanzas . Morning and night in the first stanza lead to the twelve hours of loving in the second . The face at the end of the second becomes the " brown hair " at the beginning of the third . The " ground " at the end of the third ...
Page 208
... stanza , we would find it no more satisfactory as play than the other poem . The third stanza , though it goes beyond the merely witty resolu- tion of the second , still does not resolve the real conflict . Instead , the current of ...
... stanza , we would find it no more satisfactory as play than the other poem . The third stanza , though it goes beyond the merely witty resolu- tion of the second , still does not resolve the real conflict . Instead , the current of ...
Contents
Literature as Transformation | 3 |
A Dictionary of Fantasy | 31 |
The Willing Suspension of Disbelief | 63 |
Copyright | |
13 other sections not shown
Other editions - View all
Common terms and phrases
accept adult affect anxiety associated audience become bring character child comes conscious critics deal defense describe displacement dream drive emotional example expect experience express fantasy fear feel film final formal Freud give given gratification images intellectual introjection involved joke kind language leads least less literary literature look manage meaning MICHIGAN mind moral mother movie myth night novel object offers oral particular pattern perhaps person phallic phrase play pleasure poem poet poetry possible Press psychoanalytic psychological puzzling reader reading reality reason relation represent response scene seems sense separate sexual short simply sound stanza story structure style subjective suggests symbols Tale tell theme things thought tion transformation turn unconscious University whole wish woman writer York