The Dynamics of Literary Response |
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Page 263
... character . Over the three cen- turies , there have been , roughly , three attitudes . During the neo - classic ... character , but Morgann sees the Shakespearean character as an historical being outside our- selves . Shakespeare , says ...
... character . Over the three cen- turies , there have been , roughly , three attitudes . During the neo - classic ... character , but Morgann sees the Shakespearean character as an historical being outside our- selves . Shakespeare , says ...
Page 278
... character is actually a complicated mixture of projection and introjection , of taking in from the character certain drives and defenses that are really objectively " out there " and of putting into him feelings that are really our own ...
... character is actually a complicated mixture of projection and introjection , of taking in from the character certain drives and defenses that are really objectively " out there " and of putting into him feelings that are really our own ...
Page 334
... character , an improvement in our humanity ? From a purely psychological point of view , it seems highly unlikely , for we know that character is formed largely in the oedipal and pre - oedipal stages . By the time we get round to ...
... character , an improvement in our humanity ? From a purely psychological point of view , it seems highly unlikely , for we know that character is formed largely in the oedipal and pre - oedipal stages . By the time we get round to ...
Contents
Literature as Transformation | 3 |
A Dictionary of Fantasy | 31 |
The Willing Suspension of Disbelief | 63 |
Copyright | |
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