The Dynamics of Literary Response |
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Page 263
... character . Over the three cen- turies , there have been , roughly , three attitudes . During the neo - classic ... character , but Morgann sees the Shakespearean character as an historical being outside our- selves . Shakespeare , says ...
... character . Over the three cen- turies , there have been , roughly , three attitudes . During the neo - classic ... character , but Morgann sees the Shakespearean character as an historical being outside our- selves . Shakespeare , says ...
Page 278
... character is actually a complicated mixture of projection and introjection , of taking in from the character certain drives and defenses that are really objectively " out there " and of putting into him feelings that are really our own ...
... character is actually a complicated mixture of projection and introjection , of taking in from the character certain drives and defenses that are really objectively " out there " and of putting into him feelings that are really our own ...
Page 334
... character , an improvement in our humanity ? From a purely psychological point of view , it seems highly unlikely , for we know that character is formed largely in the oedipal and pre - oedipal stages . By the time we get round to ...
... character , an improvement in our humanity ? From a purely psychological point of view , it seems highly unlikely , for we know that character is formed largely in the oedipal and pre - oedipal stages . By the time we get round to ...
Contents
Literature as Transformation | 3 |
A Dictionary of Fantasy | 31 |
The Willing Suspension of Disbelief | 63 |
Copyright | |
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adult aesthetic affect aggressive anal anxiety Arnold associated audience become cathexis character child clash by night Conrad conscious deal defense disbelief displacement Dover Beach dream drive emotional example experience fantasy content fear feel Fellini fiction film formal Freud fusion give gratification haiku images intellectual introjection joke kind La Dolce Vita lady language literature loathly lady look maistrie manage Matthew Arnold meaning Mercutio mind moral mother myth mythic night Northrop Frye novel object oedipal oral Otto Fenichel passive pattern phallic phallus phrase play pleasure poem poet poetry primitive psychoanalytic psychological puzzling movies reader reading reality regression resonance response rhyme role seems Senryu sense sexual Sigmund Freud sound stanza story style suggests superego suspension of disbelief symbols Tale tasy theme things tion transformation uncon verbal Verloc Wife wish woman words writer York