Proceedings of the British Academy, Volume 117 |
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Page 23
... architectural setting . This combination determined the character not only of what was later called art , but also every sort of Western ornament and design.45 Such human - like interactions were very different from the abstract system ...
... architectural setting . This combination determined the character not only of what was later called art , but also every sort of Western ornament and design.45 Such human - like interactions were very different from the abstract system ...
Page 134
... architectural language more old - fashioned than that cited in the Assisi triforium . So once again we cannot point to conclusive evidence of English origin for any of the Assisi motifs . It is however possible to make positive ...
... architectural language more old - fashioned than that cited in the Assisi triforium . So once again we cannot point to conclusive evidence of English origin for any of the Assisi motifs . It is however possible to make positive ...
Page 136
... architectural sources for Assisi are as likely to have been found in Rhenish Rayonnant of the 1260s and 1270s as in the Île - de - France , Champagne , Burgundy or England . The first is that if this supposition is correct , it would ...
... architectural sources for Assisi are as likely to have been found in Rhenish Rayonnant of the 1260s and 1270s as in the Île - de - France , Champagne , Burgundy or England . The first is that if this supposition is correct , it would ...
Contents
Evidence from | 1 |
CONTENTS | 40 |
Prosperity and Power in the Age of Bede and Beowulf | 49 |
Copyright | |
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Anglo-Saxon anti-imperial argued argument Assisi Belting Berlin British Academy Cambridge Catholic century Charles Christ Church Cimabue classical common law concept of liberty Culture disease Dunciad early empire England English Enlightenment Essays Ethics example Figure Francesco freedom French gables Glyn Gothic Henry History human Huxley Ibid idea images imperial important interest Italian James John Keith Douglas King King Lear Kunsthistorisches Institut landscape language later learning lecture living London Medieval metaphor Milton modern monarchy moral imagination mountains Müller murals nature negative liberty Oberkirche Oxford painters painting philosophers poem poetic poetry poets political positive liberty programme religion religious Revolution Richard right transept Roman Rome royal sceattas scholars sense Shakespeare social society Stein suggests Tacitus texts Theory Thomas thought tion tomb trade tradition trans transept Transfiguration trope University University of Oxford Victorian Wales Wang Chuzhi Welsh Westminster WFTC William York