Proceedings of the British Academy, Volume 117 |
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Page 74
... English , as well as French , influence on so major a monu- ment is therefore an exciting one , and can be placed in the context of a distinguished literature on Anglo - Mediterranean artistic relations , notably Pächt's justly ...
... English , as well as French , influence on so major a monu- ment is therefore an exciting one , and can be placed in the context of a distinguished literature on Anglo - Mediterranean artistic relations , notably Pächt's justly ...
Page 109
... English painters work- ing in Italy before the Avignonese papacy of John XXII.65 English thirteenth - century pictorial art was known in influential quarters in the form of Opus anglicanum imported to Italy and to papal circles ...
... English painters work- ing in Italy before the Avignonese papacy of John XXII.65 English thirteenth - century pictorial art was known in influential quarters in the form of Opus anglicanum imported to Italy and to papal circles ...
Page 111
... English embroidery , the indifference of Italian patrons to English art is more striking than their susceptibility . Yet the hypothesis of English influence at Assisi has been deep - rooted since Volpe ; it was accepted by Marchini ...
... English embroidery , the indifference of Italian patrons to English art is more striking than their susceptibility . Yet the hypothesis of English influence at Assisi has been deep - rooted since Volpe ; it was accepted by Marchini ...
Contents
Evidence from | 1 |
CONTENTS | 40 |
Prosperity and Power in the Age of Bede and Beowulf | 49 |
Copyright | |
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Anglo-Saxon anti-imperial argued argument Assisi Belting Berlin British Academy Cambridge Catholic century Charles Christ Church Cimabue classical common law concept of liberty Culture disease Dunciad early empire England English Enlightenment Essays Ethics example Figure Francesco freedom French gables Glyn Gothic Henry History human Huxley Ibid idea images imperial important interest Italian James John Keith Douglas King King Lear Kunsthistorisches Institut landscape language later learning lecture living London Medieval metaphor Milton modern monarchy moral imagination mountains Müller murals nature negative liberty Oberkirche Oxford painters painting philosophers poem poetic poetry poets political positive liberty programme religion religious Revolution Richard right transept Roman Rome royal sceattas scholars sense Shakespeare social society Stein suggests Tacitus texts Theory Thomas thought tion tomb trade tradition trans transept Transfiguration trope University University of Oxford Victorian Wales Wang Chuzhi Welsh Westminster WFTC William York