Proceedings of the British Academy, Volume 154 |
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Page 87
... perception and action , the artist is drawn in to the world , even as he or she draws it out in the gestures of descrip- tion and the traces they yield . As I have already mentioned , there is much in common between the practices of ...
... perception and action , the artist is drawn in to the world , even as he or she draws it out in the gestures of descrip- tion and the traces they yield . As I have already mentioned , there is much in common between the practices of ...
Page 172
... perception of what is so ultimately ironic and even absurd about such forthright action helps us to understand too that the active choice is not unequivocally the right choice in a given situation . The essential rightness of that ...
... perception of what is so ultimately ironic and even absurd about such forthright action helps us to understand too that the active choice is not unequivocally the right choice in a given situation . The essential rightness of that ...
Page 452
... perception . He is currently writing and teaching on the comparative anthropology of the line , and on issues on the interface between anthropology , archaeology , art and architecture . His books include Evolution and Social Life ...
... perception . He is currently writing and teaching on the comparative anthropology of the line , and on issues on the interface between anthropology , archaeology , art and architecture . His books include Evolution and Social Life ...
Contents
Hamlets Two Fathers | 153 |
the Contest of Priest and Poet | 361 |
Thomas Wyatt and | 375 |
Copyright | |
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