Proceedings of the British Academy, Volume 154 |
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Page 428
... music , it follows that the personal choice to indulge in classical music becomes increasingly expensive . The claim that classical music is essen- tially elitist and therefore does not belong to the ordinary person , becomes a self ...
... music , it follows that the personal choice to indulge in classical music becomes increasingly expensive . The claim that classical music is essen- tially elitist and therefore does not belong to the ordinary person , becomes a self ...
Page 429
... classical music , at least in the UK and the US —such as its privileged place in education or the public provision of orchestras were the product of a particular high modernist ... CLASSICAL MUSIC AND THE SUBJECT OF MODERNITY 429.
... classical music , at least in the UK and the US —such as its privileged place in education or the public provision of orchestras were the product of a particular high modernist ... CLASSICAL MUSIC AND THE SUBJECT OF MODERNITY 429.
Page 431
... classical music actually have emerged ? If it is essentially to be connected with concert - hall practice and the sense of moral self - improvement that the ... classical music ' began : CLASSICAL MUSIC AND THE SUBJECT OF MODERNITY 431.
... classical music actually have emerged ? If it is essentially to be connected with concert - hall practice and the sense of moral self - improvement that the ... classical music ' began : CLASSICAL MUSIC AND THE SUBJECT OF MODERNITY 431.
Contents
Hamlets Two Fathers | 153 |
the Contest of Priest and Poet | 361 |
Thomas Wyatt and | 375 |
Copyright | |
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