Proceedings of the British Academy, Volume 154 |
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Page 205
... figure evolved from generalised figures sub- jected to humiliating positions to figures possessing specific and detailed features , mirrored a comparable social and religious evolution that occurred step by step , culminating with a ...
... figure evolved from generalised figures sub- jected to humiliating positions to figures possessing specific and detailed features , mirrored a comparable social and religious evolution that occurred step by step , culminating with a ...
Page 225
... Figure 2. In fact , these remain anonymous figures created by men who remain anonymous to us . Probably , the names of some produc- ers were known in a rather limited circle . However , the conditions in which artworks were produced did ...
... Figure 2. In fact , these remain anonymous figures created by men who remain anonymous to us . Probably , the names of some produc- ers were known in a rather limited circle . However , the conditions in which artworks were produced did ...
Page 366
... figure , the figure strikes back . A metaphor bleeds through , and grotesquely so . For , can you picture ' Reason's Ear , ' this catachresis of a personification , without it evoking a grotesque image ? Addison's rebound from his ...
... figure , the figure strikes back . A metaphor bleeds through , and grotesquely so . For , can you picture ' Reason's Ear , ' this catachresis of a personification , without it evoking a grotesque image ? Addison's rebound from his ...
Contents
Hamlets Two Fathers | 153 |
the Contest of Priest and Poet | 361 |
Thomas Wyatt and | 375 |
Copyright | |
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