Now plunging amain, Now rising again, The wind louder grows, And fiercer it blows, The masts all are bent, And the topsail is rent, Awe-struck, from the skies The pilot descries. And marks over head, Up-looking with dread, The rudder is broke; She reels from the stroke; In silence their fate The seamen await; The twilight is gone, Dark night is come on, And shoreward in haste The billows are chased, The breakers are heard, And all are prepar'd; To the rigging with cords they have bound them: No star in the sky, Nor light they espy, The landsman shall start, As his slumbers depart, And hear with affright, Through the darkness of night, “ Yes,” said the Bachelor, “ it is a very beautiful poem.” “ And,” added Egeria, “ both original and striking in the conception and execution. It is what I would call a talismanic composition: it produces its effect not by what it describes, but by what it recalls to recollection, or by the associations which it awakens. This other is, however, still more beautiful. I have seldom met with any thing so simple and touching.” THE OLD MAN'S REVERIE. Sooth’d by the self-same ditty, see The infant and the sire; This weeping by the fire; To list its plaintive tone, On sorrows all his own. At once it comes, by memory's power, The loved habitual theme, Reserved for twilight's darkling hour, A voluntary dream; His weakly eyes o'erflow, Or seeks his grief to know. Think not he dotes because he weeps ; Conclusion, ah! how wrong! Indissolubly strong ; With jealous weakness pines, (To second infancy allied) And every woe refines. How busy now his teeming brain, Those murmuring lips declare ; Scenes never to return again Are represented there. He ponders on his infant years, When first his race began, The destiny of man! In darkness closed how soon! As if a winter's night o'ercast The brightest summer's noon. And as he thinks o'er all his ills, Disease, neglect, and scorn, Thus aged and forlorn. “ This is not only pathetic,” continued the nymph, “ but it is poetical in the truest sense of the term; for it presents at once an image to the mind, an argument to the judgment, and a subject interesting to the universal feelings of our nature. Pray, do tell me by whom it was written.” “ Some other time I may,” replied Benedict,“ when the proper occasion arises; meanwhile, have you found any thing else that pleases you ?" “O they all please me,” said Egeria briskly; " and here is a humorous effusion, that seems to have been written as a companion to the affecting little piece which I have just read." ELEGY BY A SCHOOL-BOY. How blest was I at Dobson's ball! The fiddlers come, my partner chosen ! Alas ! they were not half-a-dozen ! For soon a richer rival came, And soon the bargain was concluded ; And left me hopeless and deluded. To leave me for an orange more ! Could not your pockets-full content ye? He had but six, and five were plenty. And mine were biggest, I protest, For some of his were only penny ones, While mine were all the very best, As juicy, large, and sweet as any one's. Could I have thought, ye beaux and belles, An orange would have so undone me! Or any thing the grocer sells, Could move my fair one thus to shun me! All night I sat in fixed disdain, While hornpipes numberless were hobbled ; I watch'd my mistress and her swain, And saw his paltry present gobbled. But when the country-dance was call’d, I could have cried with pure vexation; For by the arms I saw her haul'd, And led triumphant to her station. What other could I think to take? Of all the school she was the tallest; What choice worth making could I make, None left me, but the very smallest ! But now all thoughts of her adieu ! This is no time for such diversion ; Mair's Introduction lies in view, And I must write my Latin version. Yet all who that way are inclined, This lesson learn from my undoing; Unless your pockets are well lined, 'Tis labour lost to go a wooing. |