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it will likewise amuse her to whom I am so much indebted for the most pleasing of all amusements,+ her delicious company and heavenly harmony.
"It was," says he, the opinion of learned philosophers of our race, who lived and flourished long before my time, that this vast world, the Moulin Joly could not itself subsist more than eighteen hours: and I think there was some foundation for that opinion; since, by the apparent motion of the great luminary, that gives life to all nature, and which in my time has evidently declined considerably towards the ocean at the end of the earth, it must then finish its course, be extinguished in the waters that surround us, and leave the world in cold and darkness, necessarily producing universal death and destruction. I have lived 7 of those hours; a great age, being no less than 420 minutes of time! How very few of us continue so long? I have seen generations born, flourish, and expire My present friends are children and grand-children of the friends of my youth, who are now, alas, no more! And I must soon follow them; for, by the common course of nature, though still in health, I cannot expect to live above seven or eight minutes longer. What now avails all my toil and labour, in amassing the honey dew on this leaf, which I cannot live to enjoy. What my political struggles I have been engaged in, for the good of my compatriot inhabitants of this bush, or my philosophical studies, for the benefit of our race in general for in politics (what can laws do without morals?) our present race of ephemera will in a course of minutes become corrupt like those of other and older bushes, and consequently as wretched! And in philosophy how small our progress. Alas! art is long, and life is short! My friends would comfort me with the idea of a name, they say, I shall leave behind me; and they tell me I have lived long enough to nature and to glory. But what will fame be to an ephemera who no longer exists? and what will become of all history in the eighteenth hour, when the world itself, even the whole Moulin Joly, shall come to its end, and be buried in an universal ruin ?"
To me, after all my eager pursuits, no solid pleasures now remain, but the reflection of a long life spent in meaning well, the sensible conversation of a few good lady ephemera, and now and then a kind smile and a tune from the ever amiable Brilliant. B. FRANKLIN,
MORALS OF CHESS.
PLAYING at chess is the most ancient and universal game known among men; for its original is beyond the memory of history, and it has, for numberless ages, been the amusement of all the civilized nations of Asia, the Persians, the Indians, and the Chinese Europe has had it above a thousand years; the Spaniards have spread it over their parts of America, and it begins to make its appearance in these States. It is so interesting in itself, as not to need the view of gain to induce engaging in it; and thence it is never played for money. Those, therefore, who have leisure for such diversions, cannot find one that is more innocent; and the following piece, written with a view to correct (among a few young friends) some little improprieties in the prac tice of it, shows, at the same time, that it may, in its effects on the mind, be not merely innocent, but advantageous, to the vanquished as well as the
The game of chess is not merely an idle amusement. Several very valurble qualities of the mind, useful in the course of human life, are to be acquired or strengthened by it, so as to become habits, ready on all occasions. For life is a kind of chess, in which we have points to gain, and competitors of adversaries to contend with, and in which there is a vast variety of good and ill events, that are, in some degree, the effects of prudence or the want of it. By playing at chess then, we learn,
1. Foresight, which looks a little into futurity, considers the consequences that may attend an ac tion for it is continually occurring to the player,,
If I move this piece, what will be the advantage of my new situation? What use can my adversary make of it to annoy me? What other moves can I make to support it, and to defend myself from his attacks!"
II. Circumspection, which surveys the whole chessboard, or scene of action, the relations of the several pieces and situation, the dangers they are respectively exposed to, the several possibilities of their aiding each other. the probabilities that the adversary may take this or that move, and attack this or the other piece, and what different means can be used to avoid his stroke, or turn its consequences against him.
III. Caution, not to make your moves too hastily. This habit is best acquired by observing strictly the Jaws of the game, such as, "If you touch a piece, you must move it somewhere; if you set it down you nust let it stand:" and it is therefore best that these rules should be observed; as the game thereby becomes more the image of human life, and particularly of war: in which, if you have incautiously put yourself into a bad and dangerous position, you cannot obtain your enemy's leave to withdraw your troops, and place them more securely, but you must abide all the consequences of your rashness.
And, lastly, we learn by chess the habit of not being discouraged by present bad appearances in the state of our affairs, the habit of hoping for a favourable change, and that of persevering in the search of resources. The game is so full of events, there is such a variety of turns in it, the fortune of it is so subject to sudden vicissitudes, and one so frequently, after long contemplation, discovers the means of extricating one's self from a supposed insurmountable difficulty, that one is encouraged to continue the contest to the last, in hope of victory by our own skill, or at least of giving a stale mate, by the negligence of our adversary. And whoever considers, what in chess he often sees instances of, that particular pieces of success are apt to produce presumption, and its consequent inattention, by which the loss may be recovered, will learn not to be too much discouraged by
the present success of his adversary, nor to despair of final good fortune, upon every little check he receives in the pursuit of it.
That we may, therefore, be induced more frequently to choose this beneficial amusement, in preference to others, which are not attended with the same advantages, every circumstance which may increase the pleasure of it should be regarded; and every action or word that is unfair, disrespectful, or that in any way may give uneasiness, should be avoided, as contrary to the immediate intention of both the players, which is to pass the time agreeably.
Therefore, first, If it is agreed to play according to the strictest rules; then those rules are to be exactly observed by both parties, and should not be insisted on for one side, while deviated from by the otherfor this is not equitable.
Secondly, If it is agreed not to observe the rules exactly, but one party demands indulgences, he should then be as willing to allow them to the other.
Thirdly, No false move should ever be made to extricate yourself out of a difficulty, or to gain an advantage. There can be no pleasure in playing with a person once detected in such unfair practices.
Fourthly, If your adversary is long in playing, you ought not to hurry him, or to express any uneasiness at his delay. You should not sing, nor whistle, nor look at your watch, nor take up a book to read, nor make a tapping with your feet on the floor, or with your fingers on the table, nor do any thing that may disturb his attention. For all these things displease; and they do not show your skill in playing, but your craftiness or your rudeness.
Fifthly, You ought not to endeavour to amuse and deceive your adversary, by pretending to have made bad moves, and saying that you have now lost the game, in order to make him secure and careless, and inattentive to your schemes; for this is fraud and deceit, not skill in the game.
Sixthly, You must not, when you have gained a victory, use any triumphing or insulting expression, nor show too much pleasure; but endeavour to con sole your adversary, and make him less dissatisfied
with himself, by every kind of civil expression that may be used with truth; such as, "You understand the game better than I, but you are a little inatten-, tive; or, you play too fast; or, you had the best of the game, but something happened to divert your thoughts, and that turned it in my favour.,
Seventhly, If you are a spectator while others play, observe the most perfect silence. For if you give advice you offend both parties; him against whom you give it, because it may cause the loss of his game; and him, in whose favour you gave it, because, though it be good, and he follows it, he loses the pleasure he might have had, if you had permitted him to think until it had occurred to himself. Even after a move, or moves, you must not, by replacing the pieces, show how it might have been placed better; for that displeases, and may occasion disputes and doubts about their true situation. All talking to the players lessens or diverts their attention, and is therefore unpleasing. Nor should you give the least hint to either party, by any kind of noise or motion. If you do, you are unworthy to be a spectator. If you have a mind to exercise or show your judgment, do it in playing your own game, when you have an opportunity, not in criticising, or meddling with, or counselling the play of others.
Lastly, If the game is not to be played rigorously, according to the rules abovementioned, then moderate your desire of victory over your adversary, and be pleased with one over yourself. Snatch not eagerly at every advantage offered by his unskilfulness or inattention; but point out to him kindly, that by such a move he places or leaves a piece in danger and unsupported; that by another he will put his king in a perilous situation, &c. By this generous civility, (so opposite to the unfairness above forbidden,) you may, indeed, happen to lose the game to your own opponent, but you will win what is better, his esteem, his respect, and his affection; together with the silent approbation and good-will of impartial spectators.